Sonic Cinema

Sounds, Visions and Insights by Brian Skutle

Shark Night 3D

Grade : D- Year : 2011 Director : David R. Ellis Running Time : 1hr 30min Genre : ,
Movie review score
D-

Say this for the 3D cheesefest known as “Shark Night”– it beats “Jaws 3D” all to Hell and back creatively speaking, and it doesn’t fare too badly against “Jaws: The Revenge” either. At least it plausibly, if hilariously, tried to explain how 40-plus species of sharks made their way into the swamps of Louisiana so they could feed on horny college students taking a little siesta from their studies (and their common sense, but that’s par for the course for a horror movie); I’m still waiting for a rational explanation as to how a great white shark made its way from Martha’s Vineyard to the Bahamas to terrorize the rest of the Brody family.

Where this piece of late-Summer, early-Fall schlock from director David R. Ellis (no stranger to 3D, with “The Final Destination,” or schlock, with “Snakes on a Plane”) loses me is someone’s bright idea to release this with a PG-13 rating. Seriously, folks; at least last summer’s ridiculous, co-ed munch-fest “Piranha 3D” had the good decency to give us copious amounts of gratuitous nudity and over-the-top gore (not to mention cameos by Elizabeth Shue and Christopher Lloyd), and that film lacked the ingenious hook of a group of rednecks who have populated a salt water lake in Louisiana with sharks so that they could videotape the sharks killing the unlucky teens who decide to vacation there. Their rationale? The longest-running week of programming on cable is Shark Week; imagine how rich they could get if people paid for shark snuff online. I don’t expect much out of a film like this in terms of writing and acting– although my friend Carrie, with whom I saw the film, had some great comments on the medical inaccuracies in the film –and Hell, I can forgive the sometimes less-than-convincing shark effects (although I will give them credit for coming up with some awesome death scenes). But without a moment like Samuel L. Jackson saying that he’s had it with these “motherf!#$in’ snakes on this motherf!#$in’ plane,” or Christopher Lloyd’s scientist going bat-crap crazy over prehistoric piranhas, it’s hard to enjoy B-moviemaking that thinks adding 3D to the equation will be enough to overlook the fact that this film just doesn’t get silly enough to make for deliriously mindless fun.

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