{"id":15289,"date":"2023-05-07T20:00:00","date_gmt":"2023-05-08T00:00:00","guid":{"rendered":"https:\/\/sonic-cinema.com\/wordpress\/?p=15289"},"modified":"2023-05-07T20:18:23","modified_gmt":"2023-05-08T00:18:23","slug":"atlanta-film-festival-2023-the-more-things-change-the-more-things-stay-the-same","status":"publish","type":"post","link":"https:\/\/sonic-cinema.com\/wordpress\/2023\/05\/atlanta-film-festival-2023-the-more-things-change-the-more-things-stay-the-same\/","title":{"rendered":"Atlanta Film Festival 2023 &#8211; The More Things Change, the More Things Stay the Same"},"content":{"rendered":"<p>I&#8217;ve covered four different film festivals since 2019. I think, when it comes down to how a festival&#8217;s programming aligns with my interests as a film critic, and as an individual, the <a href=\"https:\/\/www.atlantafilmfestival.com\/\">Atlanta Film Festival<\/a> is the festival that connects with me strongest. In discussing it with one of the programmers a couple of years ago, I think what I appreciated the most about this festival is that it has an emphasis on characters, on connections, and on empathy. It was something I noticed in 2019, and over the years, it feels like the programming has just deepened that ethos. This year, something shifted in the festival that I kind of loved- the way genre films that play into those ideas and aims became a key part of the programming. And for a genre fan, it was tremendously exciting.<\/p>\n<p>The work\/life\/festival balance of this year was thrown out of whack this year- for personal reasons, I wasn&#8217;t able to get to as many films online during the festival week as I have in the past few years; as a result, my festival went on a week longer as I tried to get everything watched, and edited, for my coverage. For the second year in a row, I missed some in-person screenings I would have liked to because of the need to work, but the 10 in-person screenings I did get to were great choices. (Even though a couple of my virtual screenings made me wish I&#8217;d seen those with crowds- they had to be great experiences.) This might be the most I&#8217;ve watched from an Atlanta Film Festival, when all is said and done, and I love the versatility of what I watched.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLWhpGhk9ViA1bZPUdarEvoZq9RQBuPNrp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"><\/iframe><\/p>\n<p>When I think of the Atlanta Film Festival, I think of films where characters connect, and struggle, as life throws them unexpected curveballs. That&#8217;s every movie, of course, but the festival- at its best- illustrates this in small stories where an audience&#8217;s empathy is on high for the characters it is confronted with, whether it&#8217;s Lulu Wang&#8217;s <i>&#8220;The Farewell&#8221;<\/i>, Willem Bosch&#8217;s <i>&#8220;Afterlife&#8221;<\/i>, Chris Bailey&#8217;s <i>&#8220;Curtis&#8221;<\/i>, Machete Bang Bang and Erin Granat&#8217;s <i>&#8220;Moon Manor&#8221;<\/i>, Jared Callahan&#8217;s <i>&#8220;Clean Slate&#8221;<\/i>, or Trevor Mack&#8217;s <i>&#8220;Portrait From a Fire&#8221;<\/i>. all of which have been among my favorite films of the year by year&#8217;s end. As a viewer, the curveball this year is how many of those films I loved throughout the festival were from genres I&#8217;m not expecting to see much of at the festival- namely, science fiction and western. Even before the festival began, I felt like I&#8217;d already seen a couple of films that fit with the past festival films listed above; what distinguished them from the above films is that they were an animated western filmed with science concepts (Geoff Marslett&#8217;s <i>&#8220;Quantum Cowboys&#8221;<\/i>) and a sci-fi film about war, the loss of connection, and where no characters are seen together (Georg Koszulinski&#8217;s <i>&#8220;Red Earth&#8221;<\/i>). Yes, I&#8217;d also already seen an experimental documentary about the struggles of people to survive 2020 (Lev Omelchenko&#8217;s <i>&#8220;Twenty&#8221;<\/i>) and would also see, in advance, a drama about two brothers finding a way to connect after one attempts suicide (Sheridan O&#8217;Donnell&#8217;s <i>&#8220;Little Brother&#8221;<\/i>), but genre films would land just a bit differently with me at this festival. There were more I would see during the festival, and some I would see afterwards, that would connect with me unexpectedly. (I&#8217;m looking at you, <i>&#8220;Hundreds of Beavers&#8221;<\/i>.)<\/p>\n<p>In years past, as the festival has included a virtual component, I&#8217;ve made a point to cut off my viewing for the festival in the day or two after the in-person festival ends, even though they&#8217;ve allowed access to their Virtual Catalogue for a week afterwards in the past. The reason is simple- at a certain point, you just have to relax, and including online screeners press has access to, I could easily stretch my coverage out over a month. The reason I went the full week after the festival this year was a simple one, and one I&#8217;ve already alluded to- my virtual viewing during the festival was not as plentiful as it has been in years past for personal reasons, but also- because of the many more in-person screenings that occurred- virtual access didn&#8217;t happen typically until when the film screened. Not as much was available throughout the festival from the first day. That&#8217;s certainly the festival&#8217;s right to do, and I got to the vast majority of what I wanted to watch, but when time is at a premium, having access like we&#8217;ve sometimes had in the past was helpful in getting things watched during the festival, even when it wasn&#8217;t in-person. The result was having almost three phases of a film festival- the pre-watching, sometimes inspired by emails I would get from PR and filmmakers reaching out to press beforehand; the festival itself; and the post-festival catch-up. That last part is where most of my short film watching got done last year, but I also saw some features that landed with me in unexpected ways. I&#8217;ll share more about that in my podcast wrapping up the festival.<\/p>\n<p>Covering the Atlanta Film Festival in 2019 changed my view of what I could be as a critic, and as a podcaster. Since then, I&#8217;ve covered virtual versions of Sundance and Fantasia Fest, as well as the Renegade Film Festival in Marietta. One of the reasons I keep going back to the Atlanta Film Festival is because, well, I love the Plaza Theatre- easily my favorite Atlanta-area theatre, but I also love the way the press isn&#8217;t limited to what our access is by the festival. There are not set amounts of screenings you can do virtually (although some movies are not accessible that way, which I&#8217;ve come to expect), regardless of how big (or small) your outlet is, and- outside of the red carpet events- you&#8217;re free to set up whatever interviews and connections with talent you can. Sometimes, those connections don&#8217;t happen- as was the case with one in particular for me- but when you do connect, it can be a great chance to talk to someone about their passion for film, and share your own. Yes, it was great to meet and talk with George R.R. Martin and Vincent D&#8217;Onofrio this year for a few minutes to discuss <i>&#8220;Night of the Cooters&#8221;<\/i> on the red carpet, as I got to meet Lulu Wang and Awkwafina, Joseph Cross and Joe Berlinger in 2019, and Abi Damaris Corbin last year, but if you haven&#8217;t listened to the interviews I did with Geoff Marslett, Brian Lolano and Georg Koszulinski, you should, because those \u201cinterviews&#8221; are the ones I will think about most coming out of this festival. They went beyond canned interviews and became conversations where- like a lot of the characters and individuals we see on-screen at the festival- there was a connection made that goes beyond the work, and to who we are as individuals.<\/p>\n<p>The big reason I love the Atlanta Film Festival- and Renegade- more than the more well-known festivals I&#8217;ve covered? Yes, this is an Academy Award-qualifying festival, and they can show some well-known films, but what tends to stick with me are the smaller films, and stories, that get to something elemental about being human. Those are the ones I take with me year after year, and become absolutely evangelical for when the year comes to an end. That feeling cannot be beat.<\/p>\n<p><b><u>2023 Atlanta Film Festival &#8211; The Reviews<\/u><\/b><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/carterland\/\"><i>&#8220;Carterland&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/www.patreon.com\/posts\/64427742\"><i>&#8220;Kid-Free Weekend&#8221;<\/i><\/a> (Patreon)<br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/twenty\/\"><i>&#8220;Twenty&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/www.patreon.com\/posts\/atlff-2023-short-81589414\"><i>&#8220;Content: The Lo-Fi Man&#8221;<\/i><\/a> (Patreon)<br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/quantum-cowboys\/\"><i>&#8220;Quantum Cowboys&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/red-earth\/\"><i>&#8220;Red Earth&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/little-brother\/\"><i>&#8220;Little Brother&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/www.patreon.com\/posts\/atlff-short-film-81771841\"><i>&#8220;Radio Bingo&#8221;<\/i><\/a> (Patreon)<br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/dusty-stones\/\"><i>&#8220;Dusty &amp; Stones&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/polite-society\/\"><i>&#8220;Polite Society&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/still-a-michael-j-fox-movie\/\"><i>&#8220;Still: A Michael J. Fox Movie&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/night-of-the-cooters-short\/\"><i>&#8220;Night of the Cooters&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/showing-up\/\"><i>&#8220;Showing Up&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/fenom\/\"><i>&#8220;Fenom&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/she-watches-blindly\/\"><i>&#8220;She Watches Blindly&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/master-gardener\/\"><i>&#8220;Master Gardener&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/youtu.be\/r1ymcsm3m20\"><i>&#8220;Ship Happens&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/youtu.be\/LSok7A6m1LQ\"><i>&#8220;This World is Not Your Own&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/sanctuary\/\"><i>&#8220;Sanctuary&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/movie\/my-last-nerve\/\"><i>&#8220;My Last Nerve&#8221;<\/i><\/a><br \/>\n<a href=\"https:\/\/intheirownleague.com\/2023\/05\/01\/wilder-than-her-atlff-2023-review\/\"><i>&#8220;Wilder Than Her&#8221;<\/i><\/a> (In Their Own League)<br \/>\n<a href=\"https:\/\/youtu.be\/WXzVB5UY3Xs\"><i>\u201dHundreds of Beavers\u201d<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=yrXN96K0Dp4\"><i>&#8220;Silent Beauty&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=asuOqLbpVTY\"><i>&#8220;No Time to Fail&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/www.patreon.com\/posts\/82430608?pr=true\"><i>&#8220;I Seek Your Help to Bury a Man&#8221;<\/i><\/a> (Patreon-Exclusive)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=Qqjp1gAmppU\"><i>&#8220;Everybody Wants to Be Loved&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=xkjminZYfCs\"><i>&#8220;Sound to Sea + Sheltered&#8221;<\/i><\/a> (YouTube Quick Take)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=-4e49XqvYkQ\"><i>&#8220;Our Father, the Devil&#8221;<\/i><\/a> (YouTube Quick Take)<\/p>\n<p><b>2023 Atlanta Film Festival<\/b><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/2023\/04\/sonic-cinema-to-cover-the-2023-atlanta-film-festival\/\">Sonic Cinema to Cover the 2023 Atlanta Film Festival<\/a><br \/>\n<a href=\"https:\/\/sonic-cinema.com\/wordpress\/2023\/04\/episode-133-atlff-2023-discussing-quantum-cowboys\/\">Episode 133 &#8211; ATLFF 2023: Discussing &#8220;Quantum Cowboys&#8221;<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=tBJqXAVnRYg\">Filmmaker Interview &#8211; Brian Lolano<\/a> (YouTube &amp; Podcast)<br \/>\n<a href=\"https:\/\/youtu.be\/HFcrYGLXTaY\">Filmmaker Interview &#8211; &#8220;Red Earth&#8221;<\/a> (YouTube &amp; Podcast)<\/p>\n<p>Thanks for Listening,<\/p>\n<p>Brian Skutle<br \/>\n<a href=\"http:\/\/www.sonic-cinema.com\">www.sonic-cinema.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve covered four different film festivals since 2019. I think, when it comes down to how a festival&#8217;s programming aligns with my interests as a film critic, and as an individual, the Atlanta Film Festival is the festival that connects with me strongest. In discussing it with one of the programmers a couple of years [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,26],"tags":[],"class_list":["post-15289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-general"],"jetpack_featured_media_url":"https:\/\/sonic-cinema.com\/wordpress\/wp-content\/uploads\/2023\/05\/C0CB8D9D-36B2-4F2E-95A1-8082980D0967.jpeg","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/15289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/comments?post=15289"}],"version-history":[{"count":5,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/15289\/revisions"}],"predecessor-version":[{"id":15344,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/15289\/revisions\/15344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/media\/15343"}],"wp:attachment":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/media?parent=15289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/categories?post=15289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/tags?post=15289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}