{"id":16273,"date":"2024-05-13T08:15:00","date_gmt":"2024-05-13T12:15:00","guid":{"rendered":"https:\/\/sonic-cinema.com\/wordpress\/?p=16273"},"modified":"2024-05-18T08:12:57","modified_gmt":"2024-05-18T12:12:57","slug":"episode-151-the-crow-at-30","status":"publish","type":"post","link":"https:\/\/sonic-cinema.com\/wordpress\/2024\/05\/episode-151-the-crow-at-30\/","title":{"rendered":"Episode 151 – “The Crow” at 30"},"content":{"rendered":"

In July 1994, my moviewatching trajectory was changed forever when I finally watched Alex Proyas’s “The Crow”<\/i><\/a>. The film had already become a cult hit, and had been on my radar, but it wasn’t until I saw it for myself that I just came out of the theatre different. As it turns 30, it is time to finally have a discussion of the film, and its legacy, on the Sonic Cinema Podcast. Joining me on the podcast is Chris Salazar, someone whom I’ve known on Film Twitter for a few years, and who loves the film as well. I hope you enjoy our discussion, and listen to the other episodes I’ve contributed to about the film over the years.<\/p>\n

The music at the end of this episode is my 1999 composition, “In a Lonely Place,” inspired by Graeme Revell’s music for “The Crow.” “In a Lonely Place” is on my 2000 album, “Dark Experiments”<\/i><\/a>.<\/p>\n

Episode 151 – “The Crow” at 30<\/b>
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