Snooch to the Nooch!<\/p>\n
Well, with the Oscars finally happening on Sunday, it’s now time for my final look at the nominees, and a look at my final predictions (all nominations listed in order of preference), and whether they’ve changed in the past month.<\/p>\n
Before I get to the festivities, though, an update on where my Top 10 Best and Favorites for 2009 stand now.<\/p>\n
Brian’s 10 Favorite Films of 2009<\/b>
\n1. “Up”<\/i> (Pete Doctor)
\n2. “The Hangover”<\/i> (Todd Phillips)
\n3. “(500) Days of Summer”<\/i> (Marc Webb)
\n4. “Star Trek”<\/i> (J.J. Abrams)
\n5. “The Imaginarium of Doctor Parnassus”<\/i> (Terry Gilliam)
\n6. “Knowing”<\/i> (Alex Proyas)
\n7. “Harry Potter and the Half-Blood Prince”<\/i> (David Yates)
\n8. “Watchmen”<\/i> (Zack Snyder)
\n9. “Cookies & Cream”<\/i> (Princeton Holt)
\n10. “Drag Me to Hell”<\/i> (Sam Raimi)<\/p>\n
Brian’s 10 Best Films of 2009<\/b>
\n1. “Red Cliff”<\/i> (John Woo)
\n2. “Up”<\/i> (Pete Doctor)
\n3. “Moon”<\/i> (Duncan Jones)
\n4. “Precious”<\/i> (Lee Daniels)
\n5. “The Imaginarium of Doctor Parnassus”<\/i> (Terry Gilliam)
\n6. “(500) Days of Summer”<\/i> (Marc Webb)
\n7. “Avatar”<\/i> (James Cameron)
\n8. “Bad Lieutenant: Port of Call, New Orleans”<\/i> (Werner Herzog)
\n9. “Knowing”<\/i> (Alex Proyas)
\n10. “Drag Me to Hell”<\/i> (Sam Raimi)<\/p>\n
Viva la Resistance!<\/p>\n
Brian Skutle Best Picture<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Moon\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Precious\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Imaginarium of Doctor Parnassus\u00e2\u20ac\u009d; \u00e2\u20ac\u009d(500) Days of Summer\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Bad Lieutenant: Port of Call, New Orleans\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Knowing\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Drag Me to Hell\u00e2\u20ac\u009d<\/p>\n Brian\u00e2\u20ac\u2122s Pick: “Up”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick: “Avatar”<\/i>. There are a few reasons I’m going with James Cameron’s $700 million hit over “The Hurt Locker.” The recent controversy about a producer for the indie drama who emailed Oscar voters to get them to vote for his film is one (though not the main one). The record-breaking box-office is the big one. Plus, it’ll be a way for them to honor the groundbreaking epic since they’ll be honoring “Locker” in other places.<\/p>\n Best Director<\/b> Brian’s Top Five: John Woo, “Red Cliff”; Duncan Jones, “Moon”; Kathryn Bigelow, “The Hurt Locker”; Terry Gilliam, “The Imaginarium of Doctor Parnassus”; Alex Proyas, “Knowing”<\/p>\n Brian’s Pick: Kathryn Bigelow, “The Hurt Locker”<\/p>\n Oscar’s Pick: Kathryn Bigelow<\/i>. Cameron could upset if “Avatar” sweeps, and honestly, I can see Tarantino sneaking in if “Basterds” gets some real love. But I’d expect Bigelow to be the first woman to ever win Best Director for her tense and gripping work for “Locker.”<\/p>\n Best Actor<\/b> Brian’s Top Five: Matt Damon, “The Informant!”; Jeff Bridges, “Crazy Heart”; Joseph Gordon-Levitt, “(500) Days of Summer”; Sam Rockwell, “Moon”; Joaquin Phoenix, “Two Lovers”<\/p>\n Brian’s Pick: Jeff Bridges, “Crazy Heart”<\/p>\n Oscar’s Pick: Jeff Bridges<\/i>. It’s the Dude’s time to abide. There’s not a film fan out there that won’t tell you it’s time.<\/p>\n Best Actress<\/b> Brian’s Top Five: Gabourey Sidibe, “Precious”; Saoirse Ronan, “The Lovely Bones”; Carey Mulligan, “An Education”; Meryl Streep, “Julie & Julia”; Jace Nicole, “Cookies & Cream”<\/p>\n Brian’s Pick: Gabourey Sidibe, “Precious”<\/p>\n Oscar’s Pick: Sandra Bullock<\/i>. As great as Sidibe and Mulligan are, these newcomers are in the “just honored to be nominated” race this year with Streep and Bullock. Streep is still catagorically in it for her third Oscar, but Bullock is the one to beat for her entertaining and dramatically-surprising performance in the hit film “Blind Side.” The Best Picture nomination for “Side” also helps.<\/p>\n Best Supporting Actor<\/b> Brian’s Top Five: Christoph Waltz, “Inglourious Basterds”; Souleymane Sy Savane, “Goodbye Solo”; Jackie Earl Haley, “Watchmen”; Christopher Plummer, “The Imaginarium of Doctor Parnassus”; Peter Capaldi, “In the Loop”<\/p>\n Brian’s Pick: Christoph Waltz, “Inglourious Basterds”<\/p>\n Oscar’s Pick: Christoph Waltz<\/i>. The closest competitor is Harrelson, whose soul-wrenching turn is a career-best for the actor, but let’s be honest, “Basterds'” deviously brilliant Waltz was in a class by himself this year as the most enjoyable villain since Hannibal Lecter. He gets the golden boy in a landslide.<\/p>\n Best Supporting Actress<\/b> Brian’s Top Five: Mo\u00e2\u20ac\u2122Nique (\u00e2\u20ac\u0153Precious\u00e2\u20ac\u009d); Melanie Laurent (\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d); Ali Larter (\u00e2\u20ac\u0153Obsessed\u00e2\u20ac\u009d); Leslie Mann (\u00e2\u20ac\u0153Funny People\u00e2\u20ac\u009d); Samantha Morton (\u00e2\u20ac\u0153The Messenger\u00e2\u20ac\u009d)<\/p>\n Brian’s Pick: Mo’Nique, “Precious”<\/p>\n Oscar’s Pick: Mo’Nique<\/i>. Just don’t think about it. If you disagree, you haven’t seen her performance. It’s a lock.<\/p>\n Best Original Screenplay<\/b> Brian’s Top Five: \u00e2\u20ac\u0153Moon\u00e2\u20ac\u009d (Nathan Parker, Duncan Jones); \u00e2\u20ac\u0153Knowing\u00e2\u20ac\u009d (Ryne Pearson, Juliet Snowden, Stiles White, Stuart Hazeldine); \u00e2\u20ac\u0153The Invention of Lying\u00e2\u20ac\u009d (Ricky Gervais, Matthew Robinson); \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d (Pete Doctor, Bob Peterson, Thomas McCarthy); \u00e2\u20ac\u009d(500) Days of Summer\u00e2\u20ac\u009d (Scott Neustadter, Michael H. Weber)<\/p>\n Brian’s Pick: “Up” (Pete Doctor, Bob Peterson, Thomas McCarthy)<\/p>\n Oscar’s Pick: “Inglourious Basterds”<\/i>. Here’s the thing. Yes, “Hurt Locker” won the Writer’s Guild, and in the event of a sweep by “Locker,” I can definitely see it winning. But I think love for “Basterds” will run deep, and Tarantino- for his sharpest original script since “Pulp Fiction”- will take home his second screenwriting Oscar.<\/p>\n Best Adapted Screenplay<\/b> Brian’s Top Five: \u00e2\u20ac\u0153Precious\u00e2\u20ac\u009d (Geoffrey Fletcher); “An Education” (Nick Hornby); \u00e2\u20ac\u0153The Informant!\u00e2\u20ac\u009d (Scott Z. Burns); \u00e2\u20ac\u0153Watchmen\u00e2\u20ac\u009d (David Hayter, Alex Tse); \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d (Alex Kurtzman, Roberto Orci)<\/p>\n Brian’s Pick: “Precious” (Geoffrey Fletcher)<\/p>\n Oscar’s Pick: “Up in the Air”<\/i>. “Up in the Air” will win this for the simple fact that it’s the best chance for the Academy to reward the one-time front-runner.<\/p>\n Best Original Score<\/b> Brian’s Top Five: \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d (Michael Giacchino); \u00e2\u20ac\u0153The Lovely Bones\u00e2\u20ac\u009d (Brian Eno); \u00e2\u20ac\u0153The Informant!\u00e2\u20ac\u009d (Marvin Hamlisch); \u00e2\u20ac\u0153Coraline\u00e2\u20ac\u009d (Bruno Coulais); \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d (Michael Giacchino)<\/p>\n Brian’s Pick: “Up” (Michael Giacchino)<\/p>\n Oscar’s Pick: “Up”<\/i>. In reality, one can think of scenarios in which each of these scores can win (maybe except for “Holmes,” despite it being one of Zimmer’s finest). But I think Giacchino will win his first Oscar for a score that’s just as important to the film as the writing and acting.<\/p>\n Best Original Song<\/b> Brian’s Top Five: “The Weary Kind” from “Crazy Heart” (T-Bone Burnett & Ryan Bingham); \u00e2\u20ac\u0153All Is Love\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Where the Wild Things Are\u00e2\u20ac\u009d (Karen O & Nick Zinner); \u00e2\u20ac\u0153Dynomite\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Black Dynamite\u00e2\u20ac\u009d (Adrian Younge); \u00e2\u20ac\u0153Dove of Peace\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Br\u00c3\u00bcno\u00e2\u20ac\u009d (Sascha Baron Cohen, Anthony Hines, Dan Mazer, and Jeff Schaffer); \u00e2\u20ac\u0153The Spirit of Adventure\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d (Michael Giacchino)<\/p>\n Brian’s Pick: “The Weary Kind” from “Crazy Heart” (T-Bone Burnett & Ryan Bingham)<\/p>\n Oscar’s Pick: “The Weary Kind”<\/i>. This song just lives within you after you’ve heard it. Is there a better example of a great song than that? Look for this instant classic- the best song nominated for an Oscar in years- to win.<\/p>\n Best Animated Feature<\/b> Brian’s Top Five: \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Coraline\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Fantastic Mr. Fox\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Ponyo\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Princess and the Frog\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Up”<\/p>\n Oscar’s Pick: “Up”<\/i>. I think there’s a bigger potential for a “Coraline” or “Fantastic Mr. Fox” upset than most pundits (the industry loves “Coraline” director Henry Selick, and “Fantastic Mr. Fox” is a genuine original), but I’d be very surprised if Pixar didn’t win its’ third Oscar in this category in a row.<\/p>\n Best Foreign Language Film<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; “The White Ribbon”; \u00e2\u20ac\u0153Gamorrah\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Thirst\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Rudo y Cursi\u00e2\u20ac\u009d<\/p>\n Oscar’s Pick: \u00e2\u20ac\u0153Das weisse Band \u00e2\u20ac\u201c Eine deutsche Kindergeschichte\u00e2\u20ac\u009d<\/i>. Known as “The White Ribbon” in the US, a potential upset is there for France’s acclaimed “A Prophet” (which just opened in Atlanta), but the black-and-white drama of “Ribbon” is too filled with shades of gray for Oscar to ignore.<\/p>\n Best Documentary Feature<\/b> Brian’s Top Five: \u00e2\u20ac\u0153Michael Jackson\u00e2\u20ac\u2122s This Is It\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Cove\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Tyson\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Food, Inc.\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Earth\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “The Cove”<\/p>\n Oscar’s Pick: “The Cove”<\/i>. It’s just too heartbreaking, and too important, to ignore this thrilling look at activism at its’ most urgent.<\/p>\n Best Visual Effects<\/b> Brian’s Top Three: \u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d; \u00e2\u20ac\u0153District 9\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Avatar”<\/p>\n Oscar’s Pick: “Avatar”<\/i>. You’re just crazy if you think they’re going to pick something else.<\/p>\n Best Sound<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Up\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Coraline\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Avatar”<\/p>\n Oscar’s Pick: “Avatar”<\/i>. Is it just me or does “Revenge of the Fallen” just feel out of place with the other five? Doesn’t matter. In the beginning of the back-and-forth with “Hurt Locker,” “Avatar” wins the first battle.<\/p>\n Best Sound Editing<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Drag Me to Hell\u00e2\u20ac\u009d; \u00e2\u20ac\u0153District 9\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Avatar”<\/p>\n Oscar’s Pick: “The Hurt Locker”<\/i>. Expect those tension-packed diffusing scenes to take “Locker” over the top here.<\/p>\n Best Cinematography<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Lovely Bones\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Dynamite\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Drag Me to Hell\u00e2\u20ac\u009d; \u00e2\u20ac\u0153District 9\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Harry Potter and the Half-Blood Prince”<\/p>\n Oscar’s Pick: “Avatar”<\/i>. Again, it’s more “Locker” vs. “Avatar” here, and while “Hurt Locker” shined in this area, “Avatar” pushed the envelope for what’s possible with 3-D. It wins this round.<\/p>\n Best Film Editing<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Drag Me to Hell\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Knowing\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “The Hurt Locker”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i>. Some say this will determine what Best Picture will be. I say it’s more a miracle all five nominees are actually in the big race also (that doesn’t always happen). If anything but “Locker” wins this, I’d seriously question the Academy’s judgement…not that I don’t do so already.<\/p>\n Best Art Direction<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Imaginarium of Doctor Parnassus\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Watchmen\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Lovely Bones\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “The Imaginarium of Doctor Parnassus”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>. Oh how I’d love to see Gilliam’s brilliant “Parnassus” win this. But “Avatar” created a new world before our eyes…even if none of it was real. It wins here.<\/p>\n Best Makeup<\/b> Brian\u00e2\u20ac\u2122s Top Three: \u00e2\u20ac\u0153Drag Me to Hell\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Thicker Than Water: The Vampires Diaries- Part 1\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “Star Trek”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d<\/i>. Yes, Trekkies, your franchise will win an Oscar. Don’t get too excited in your parent’s basement now…<\/p>\n Best Costume Design<\/b> Brian\u00e2\u20ac\u2122s Top Five: \u00e2\u20ac\u0153Red Cliff\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Lovely Bones\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Imaginarium of Doctor Parnassus\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Watchmen\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Dynamite\u00e2\u20ac\u009d<\/p>\n Brian’s Pick: “The Imaginarium of Doctor Parnassus”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick: “The Young Victoria”<\/i>. It’s a really pretty film to look at. Or maybe I was just thinking about Emily Blunt. No matter. “Victoria” wins over other period choices.<\/p>\n Here are the three awards those most devoted to movies care about. I haven’t seen many of these, so all these are just guesses.<\/i><\/p>\n Best Short Film- Live Action<\/b> Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153The Door\u00e2\u20ac\u009d<\/i><\/p>\n Best Short Film- Animated<\/b> Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153A Matter of Loaf and Death\u00e2\u20ac\u009d<\/i>. Wallace & Gromit win Oscar again for their latest delightful adventure.<\/p>\n Best Documentary Short Subject<\/b> Oscar\u00e2\u20ac\u2122s Pick: \u00e2\u20ac\u0153The Last Truck: Closing of a GM Plant\u00e2\u20ac\u009d<\/i><\/p>\n","protected":false},"excerpt":{"rendered":" Snooch to the Nooch! Well, with the Oscars finally happening on Sunday, it’s now time for my final look at the nominees, and a look at my final predictions (all nominations listed in order of preference), and whether they’ve changed in the past month. Before I get to the festivities, though, an update on where […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,26],"tags":[],"class_list":["post-5190","post","type-post","status-publish","format-standard","hentry","category-news","category-news-general"],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/5190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/comments?post=5190"}],"version-history":[{"count":1,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/5190\/revisions"}],"predecessor-version":[{"id":5811,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/posts\/5190\/revisions\/5811"}],"wp:attachment":[{"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/media?parent=5190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/categories?post=5190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sonic-cinema.com\/wordpress\/wp-json\/wp\/v2\/tags?post=5190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nwww.sonic-cinema.com<\/a>
\nwww.myspace.com\/brianskutle<\/a>
\nwww.myspace.com\/cinemanouveau<\/a><\/p>\n
\n“Up”<\/i>
\n“Precious”<\/i>
\n“Avatar”<\/i>
\n“Up in the Air”<\/i>
\n“Inglourious Basterds”<\/i>
\n“The Hurt Locker”<\/i>
\n“An Education”<\/i>
\n“District 9”<\/i>
\n“A Serious Man”<\/i>
\n“The Blind Side”<\/i><\/p>\n
\nKathryn Bigelow, “The Hurt Locker”<\/i>
\nLee Daniels, “Precious”<\/i>
\nQuentin Tarantino, “Inglourious Basterds”<\/i>
\nJames Cameron, “Avatar”<\/i>
\nJason Reintman, “Up in the Air”<\/i><\/p>\n
\nJeff Bridges, “Crazy Heart”<\/i>
\nGeorge Clooney, “Up in the Air”<\/i>
\nColin Firth, “A Single Man”<\/i>
\nJeremy Renner, “The Hurt Locker”<\/i>
\nMorgan Freeman, “Invictus”<\/i><\/p>\n
\nGabourey Sidibe, “Precious”<\/i>
\nCarey Mulligan, “An Education”<\/i>
\nMeryl Streep, “Julie & Julia”<\/i>
\nSandra Bullock, “The Blind Side”<\/i>
\nHelen Mirren, “The Last Station”<\/i><\/p>\n
\nChristoph Waltz, “Inglourious Basterds”<\/i>
\nWoody Harrelson, “The Messenger”<\/i>
\nStanley Tucci, “The Lovely Bones”<\/i>
\nChristopher Plummer, “The Last Station”<\/i>
\nMatt Damon, “Invictus”<\/i><\/p>\n
\nMo’Nique, “Precious”<\/i>
\nVera Farmiga, “Up in the Air”<\/i>
\nAnna Kendrick, “Up in the Air”<\/i>
\nMaggie Gyllenhaal, “Crazy Heart”<\/i>
\nPenelope Cruz, “Nine”<\/i><\/p>\n
\n\u00e2\u20ac\u0153Up\u00e2\u20ac\u009d<\/i> (Pete Doctor, Bob Peterson, Thomas McCarthy)
\n\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d<\/i> (Quentin Tarantino)
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i> (Mark Boal)
\n\u00e2\u20ac\u0153The Messenger\u00e2\u20ac\u009d<\/i> (Alessandro Camon, Oren Moverman)
\n\u00e2\u20ac\u0153A Serious Man\u00e2\u20ac\u009d<\/i> (Joel & Ethan Coen)<\/p>\n
\n\u00e2\u20ac\u0153Precious\u00e2\u20ac\u009d (Geoffrey Fletcher)
\n\u00e2\u20ac\u0153An Education\u00e2\u20ac\u009d (Nick Hornby)
\n\u00e2\u20ac\u0153District 9\u00e2\u20ac\u009d (Neill Blomkamp, Terri Tatchell)
\n\u00e2\u20ac\u0153In the Loop\u00e2\u20ac\u009d (Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche)
\n\u00e2\u20ac\u0153Up in the Air\u00e2\u20ac\u009d (Jason Reitman, Sheldon Turner)<\/p>\n
\n“Up”<\/i> (Michael Giacchino)
\n\u00e2\u20ac\u0153Fantastic Mr. Fox\u00e2\u20ac\u009d<\/i> (Alexandre Desplat)
\n\u00e2\u20ac\u0153Sherlock Holmes\u00e2\u20ac\u009d<\/i> (Hans Zimmer)
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i> (James Horner)
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i> (Marco Beltrami & Buck Sanders)<\/p>\n
\n\u00e2\u20ac\u0153The Weary Kind\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Crazy Heart\u00e2\u20ac\u009d<\/i> (T-Bone Burnett, Ryan Bingham)
\n\u00e2\u20ac\u0153Take It All\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Nine\u00e2\u20ac\u009d<\/i> (Maury Yeston)
\n\u00e2\u20ac\u0153Down in New Orleans\u00e2\u20ac\u009d from \u00e2\u20ac\u0153The Princess and the Frog\u00e2\u20ac\u009d<\/i> (Randy Newman)
\n\u00e2\u20ac\u0153Almost There\u00e2\u20ac\u009d from \u00e2\u20ac\u0153The Princess and the Frog\u00e2\u20ac\u009d<\/i> (Randy Newman)
\n\u00e2\u20ac\u0153Loin de Paname\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Faubourg 36\u00e2\u20ac\u009d<\/i> (Reinhardt Wagner, Frank Thomas) (Haven’t Heard)<\/p>\n
\n\u00e2\u20ac\u0153Up\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Coraline\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Fantastic Mr. Fox\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Princess and the Frog\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Secret of Kells\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)<\/p>\n
\n\u00e2\u20ac\u0153Das weisse Band \u00e2\u20ac\u201c Eine deutsche Kindergeschichte\u00e2\u20ac\u009d<\/i> (Germany)
\n\u00e2\u20ac\u0153Ajami\u00e2\u20ac\u009d<\/i> (Israel) (Haven’t Seen)
\n\u00e2\u20ac\u0153El secreto de sus ojos\u00e2\u20ac\u009d<\/i> (Argentina) (Haven’t Seen)
\n\u00e2\u20ac\u0153Un proph\u00c3\u00a8te\u00e2\u20ac\u009d<\/i> (France) (Haven’t Seen)
\n\u00e2\u20ac\u0153La teta asustada\u00e2\u20ac\u009d<\/i> (Peru) (Haven’t Seen)<\/p>\n
\n\u00e2\u20ac\u0153The Cove\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Food, Inc.\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Burma VJ: Reporter i et lukket land\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)
\n\u00e2\u20ac\u0153The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)
\n\u00e2\u20ac\u0153Which Way Home\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)<\/p>\n
\n“Avatar”<\/i>
\n“District 9”<\/i>
\n“Star Trek”<\/i><\/p>\n
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Transformers: Revenge of the Fallen\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Up\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Harry Potter and the Half-Blood Prince\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Das weisse Band \u00e2\u20ac\u201c Eine deutsche Kindergeschichte\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153The Hurt Locker\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153District 9\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inglourious Basterds\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Precious\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153The Imaginarium of Doctor Parnassus\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Sherlock Holmes\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Avatar\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Young Victoria\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Nine\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Star Trek\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Young Victoria\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Il Divo\u00e2\u20ac\u009d<\/i> (Haven’t Seen)<\/p>\n
\n\u00e2\u20ac\u0153The Imaginarium of Doctor Parnassus\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Young Victoria\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Coco Before Chanel\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Nine\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Bright Star\u00e2\u20ac\u009d<\/i> (Haven’t Seen)<\/p>\n
\n\u00e2\u20ac\u0153The Door\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Ist\u00c3\u00a4llet f\u00c3\u00b6r abrakadabra\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Kavi\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Miracle Fish\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The New Tenants\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Wallace and Gromit in \u00e2\u20ac\u02dcA Matter of Loaf and Death\u00e2\u20ac\u2122\u00e2\u20ac\u009d<\/i> (Have Seen)
\n\u00e2\u20ac\u0153French Roast\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Granny O\u00e2\u20ac\u2122Grimm\u00e2\u20ac\u2122s Sleeping Beauty\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153La dama y la muerte\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Logorama\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153China\u00e2\u20ac\u2122s Unnatural Disaster: The Tears of Sichuan Province\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Last Campaign of Governor Booth Gardner\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Last Truck: Closing of a GM Plant\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Kr\u00c3\u00b3lik po berlinsku\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Music by Prudence\u00e2\u20ac\u009d<\/i><\/p>\n