Snooch to the Nooch!<\/p>\n
Well, with the Oscars finally happening on Sunday, it’s now time for my final look at the nominees, and a look at my final predictions (all nominations listed in order of preference), and whether they’ve changed in the past month.<\/p>\n
Before I get to the festivities, though, an update on where my Top 10 Best and Favorites for 2010 stand now.<\/p>\n
Brian’s 10 Best Films of 2010<\/b>
\n1. “Scott Pilgrim vs. the World”<\/i> (Edgar Wright)
\n2. “The King’s Speech”<\/i> (Tom Hooper)
\n3. “Another Year”<\/i> (Mike Leigh)
\n4. “The ‘Millennium’ Trilogy”<\/i> (Neils Arden Oplev, Daniel Alfredson)
\n5. “Inception”<\/i> (Christopher Nolan)
\n6. “Black Swan”<\/i> (Darren Aronofsky)
\n7. “The Tillman Story”<\/i> (Amir Bar-Lev)
\n8. “How to Train Your Dragon”<\/i> (Chris Sanders & Dean Deblois)
\n9. “Exit Through the Gift Shop”<\/i> (Banksy)
\n10. “Leaves of Grass”<\/i> (Tim Blake Nelson)<\/p>\n
Brian’s 10 Favorite Films of 2010<\/b>
\n1. “Scott Pilgrim vs. the World”<\/i> (Edgar Wright)
\n2. “Inception”<\/i> (Christopher Nolan)
\n3. “Toy Story 3”<\/i> (Lee Unkrich)
\n4. “Harry Potter and the Deathly Hollows, Part I”<\/i> (David Yates)
\n5. “Someone Else in the Evening”<\/i> (Edgar Muniz)
\n6. “Black Swan”<\/i> (Darren Aronofsky)
\n7. “Shutter Island”<\/i> (Martin Scorsese)
\n8. “Hot Tub Time Machine”<\/i> (Steve Pink)
\n9. “Easy A”<\/i> (Will Gluck)
\n10. “The Illusionist”<\/i> (Sylvain Chomet)<\/p>\n
Viva la Resistance!<\/p>\n
Brian Skutle Best Picture<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> “Scott Pilgrim vs. the World”; “The King’s Speech”; “Another Year”; “The ‘Millennium’ Trilogy”; “Inception”; “Black Swan”; “The Tillman Story”; “How to Train Your Dragon”; “Exit Through the Gift Shop”; “Leaves of Grass”<\/p>\n Brian\u00e2\u20ac\u2122s Pick:<\/b> “The King’s Speech”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick:<\/b> “The King’s Speech”<\/i>. The Weinstein Co. did a superb job getting the word out on this great crowd-pleaser, resulting in $100 million gross and steamrolling past “The Social Network” as the front-runner for the big prize. Look for it to win against a truly excellent collection of nominees.<\/p>\n Best Director<\/u><\/b> Brian’s Top Five:<\/b> Edgar Wright, \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; Christopher Nolan, \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; Darren Aronofsky, \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; Mike Leigh, “Another Year”; Neils Arden Oplev, \u00e2\u20ac\u0153The Girl With the Dragon Tattoo\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> Darren Aronofsky, “Black Swan”<\/p>\n Oscar’s Pick:<\/b> David Fincher<\/i>. If “The King’s Speech” sweeps through the night, look for Tom Hooper to take home the gold. Otherwise, I still see “Social Network’s” Fincher winning his first Academy Award. Who thought we’d be saying that about the director of “Se7en” and “Fight Club?”<\/p>\n Best Actor<\/u><\/b> Brian’s Top Five:<\/b> Colin Firth, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d; Javier Bardem, “Biutiful”; Joaquin Phoenix, \u00e2\u20ac\u0153I\u00e2\u20ac\u2122m Still Here\u00e2\u20ac\u009d; Edward Norton, \u00e2\u20ac\u0153Leaves of Grass\u00e2\u20ac\u009d; James Franco, \u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> Colin Firth, “The King’s Speech”<\/p>\n Oscar’s Pick:<\/b> Colin Firth<\/i>. Like the rest of the big categories this year, Best Actor is loaded this year. That said, Firth is a lock this year. And if you disagree, you haven’t seen the performance.<\/p>\n Best Actress<\/u><\/b> Brian’s Top Five:<\/b> Natalie Portman, \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; Noomi Rapace, \u00e2\u20ac\u0153The \u00e2\u20ac\u02dcMillennium\u00e2\u20ac\u2122 Trilogy\u00e2\u20ac\u009d; Jennifer Lawrence, \u00e2\u20ac\u0153Winter\u00e2\u20ac\u2122s Bone\u00e2\u20ac\u009d; Julianne Moore, \u00e2\u20ac\u0153The Kids Are All Right\u00e2\u20ac\u009d & \u00e2\u20ac\u0153Chloe\u00e2\u20ac\u009d; Laura Benson, “Someone Else in the Evening”<\/p>\n Brian’s Pick:<\/b> Natalie Portman, “Black Swan”<\/p>\n Oscar’s Pick:<\/b> Natalie Portman<\/i>. It’s true that Bening (who hasn’t won in three prior nominations) could still sneak in out of the “It’s Time” mentality that led to wins for Paul Newman (“The Color of Money”) and Denzel Washington (“Training Day”). Still, Natalie has a great deal of momentum with “Swan” and her recent rom-com “No Strings Attached” hitting at the box-office. And did I mention she’ll be in this summer’s “Thor?” Portman, in a career-best turn, wins gold.<\/p>\n Best Supporting Actor<\/u><\/b> Brian’s Top Five:<\/b> Christian Bale, \u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d; Geoffrey Rush, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d; Kieran Culkin, \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; Andrew Garfield, \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d; Steve Carell, \u00e2\u20ac\u0153Dinner for Schmucks\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> Christian Bale, “The Fighter”<\/p>\n Oscar’s Pick:<\/b> Christian Bale<\/i>. Rush can sneak in on a “King’s Speech” sweep, but I’d expect Batman Bale to win his first Oscar for his potent and dazzling performance.<\/p>\n Best Supporting Actress<\/u><\/b> Brian’s Top Five:<\/b> Lesley Manville, “Another Year”; Chloe Grace Moretz, \u00e2\u20ac\u0153Let Me In\u00e2\u20ac\u009d & \u00e2\u20ac\u0153Kick-Ass\u00e2\u20ac\u009d; Hailee Steinfeld, \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d; Mila Kunis, \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; Celice de France, \u00e2\u20ac\u0153Hereafter\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> Hailee Steinfeld, “True Grit”<\/p>\n Oscar’s Pick:<\/b> Hailee Steinfeld<\/i>. This tends to be a wild card category. Right now Melissa Leo has been the front-runner, and Jacki Weaver has snuck into the winner’s circle a couple of times this year. But I’d expect the young Steinfeld (who held her own with Jeff Bridges, no less) to win a big one for the Western smash “True Grit.”<\/p>\n Best Original Screenplay<\/u><\/b> Brian’s Top Five:<\/b> \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d (Christopher Nolan); “Another Year” (Mike Leigh); \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d (Mark Heyman, Andrew Heinz, John McLaughlin); \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d (Donald Seidler); \u00e2\u20ac\u0153I\u00e2\u20ac\u2122m Still Here\u00e2\u20ac\u009d (Casey Affleck & Joaquin Phoenix)<\/p>\n Brian’s Pick:<\/b> “Inception” (Christopher Nolan)<\/p>\n Oscar’s Pick:<\/b> “The King’s Speech”<\/i>. I’d love to see the Academy honor Nolan for his tight and taut script for “Inception” after he was snubbed for Best Director, but my gut is telling me to go with “The King’s Speech” in another major win for the Oscar front-runner.<\/p>\n Best Adapted Screenplay<\/u><\/b> Brian’s Top Five:<\/b> \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d (Edgar Wright & Michael Bacall); \u00e2\u20ac\u0153The Girl With the Dragon Tattoo\u00e2\u20ac\u009d (Nikolaj Arcel & Rasmus Heisterberg); \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d (Aaron Sorkin); \u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d (Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich); \u00e2\u20ac\u0153How to Train Your Dragon\u00e2\u20ac\u009d (William Davies, Chris Sanders, Dean DeBlois)<\/p>\n Brian’s Pick:<\/b> “The Social Network” (Aaron Sorkin)<\/p>\n Oscar’s Pick:<\/b> “The Social Network”<\/i>. At this point, the only sure thing for this critically-acclaimed drama about the creation and controversy of Facebook.<\/p>\n Best Original Score<\/u><\/b> Brian’s Top Five:<\/b> \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d (Trent Reznor & Atticus Ross); \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d (Nigel Godrich); \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d (Clint Mansell); \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d (Hans Zimmer); \u00e2\u20ac\u0153Let Me In\u00e2\u20ac\u009d (Michael Giacchino)<\/p>\n Brian’s Pick:<\/b> \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d (Trent Reznor & Atticus Ross)<\/p>\n Oscar’s Pick:<\/b> “The Social Network”<\/i>. The conservative Academy rarely goes for truly “original” or innovative scores in this category (which would explain why Carter Burwell and Clint Mansell, both established composers for Best Director nominees whose work this year was disqualified through the use of existing works, have yet to be nominated), but unless Oscar goes for a “King’s Speech” sweep (bringing the gifted Desplat his first Oscar in four nominations) I think the experimental atmospheres Reznor and Ross created for “Network” will be impossible for Oscar to ignore.<\/p>\n Best Original Song<\/u><\/b> Brian’s Top Five:<\/b> \u00e2\u20ac\u0153Ramona\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d (Beck); \u00e2\u20ac\u0153Shine\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Waiting for \u00e2\u20ac\u02dcSuperman\u00e2\u20ac\u2122\u00e2\u20ac\u009d (John Legend); \u00e2\u20ac\u0153Mother Knows Best\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Tangled\u00e2\u20ac\u009d (Alan Menken & Glenn Slater); \u00e2\u20ac\u0153Threshold\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d (Beck); \u00e2\u20ac\u0153Coming Home\u00e2\u20ac\u009d from “Country Strong\u00e2\u20ac\u009d (Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges)<\/p>\n Brian’s Pick:<\/b> \u00e2\u20ac\u0153Coming Home\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Country Strong\u00e2\u20ac\u009d (Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges)<\/p>\n Oscar’s Pick:<\/b> “Coming Home”<\/i>. Could the Academy really go country two years in a row? Scenarios for each nominee winning exist, but I can’t see the heartfelt “Coming Home” not winning for the underrated “Country Strong.” It’s not as good as last year’s “The Weary Kind” (and “Country Strong” was not “Crazy Heart”), but it’s a moving anthem for the film.<\/p>\n Best Animated Feature<\/u><\/b> Brian’s Top Three:<\/b> “How to Train Your Dragon”; “The Illusionist”; “Toy Story 3”<\/p>\n Brian’s Pick:<\/b> “How to Train Your Dragon”<\/p>\n Oscar’s Pick:<\/b> “Toy Story 3”<\/i>. How much does Oscar love Pixar? This will be their fourth Oscar in a row in this category, even though Dreamworks’s “Dragon” was the superior film this year.<\/p>\n Best Foreign Language Film<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153The Girl With the Dragon Tattoo\u00e2\u20ac\u009d; “Biutiful”; \u00e2\u20ac\u0153The Girl Who Kicked the Hornet\u00e2\u20ac\u2122s Nest\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Girl Who Played With Fire\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Vision: From the Life of Hildegard von Bingen\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Biutiful”<\/p>\n Oscar’s Pick:<\/b> \u00e2\u20ac\u0153Biutiful\u00e2\u20ac\u009d<\/i>. This has become a truly uncertain category to predict year in and year out; it’s even trickier when you can’t catch all of the films before Oscar night. Still, one would hope Oscar voters would be able to get Mexican New Wave director Alejandro Gonz\u00c3\u00a1lez I\u00c3\u00b1\u00c3\u00a1rritu on the stage, even if they’ve missed opportunities in the past to reward either him or his fellow Mexican auteurs Guillermo del Toro and Alfonso Cauron.<\/p>\n Best Documentary Feature<\/u><\/b> Brian’s Top Five:<\/b> “The Tillman Story”; “Exit Through the Gift Shop”; “Waiting for ‘Superman'”; “Restrepo”; \u00e2\u20ac\u0153The Art of the Steal\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Exit Through the Gift Shop”<\/p>\n Oscar’s Pick:<\/b> “Restrepo”<\/i>. There’s too much controversy about Banksy for “Gift Shop” to win. And though “Inside Job” could win because of continued economic outrage, I think the first-hand account of fighting in Afghanistan that’s depicted in “Restrepo” will win out.<\/p>\n Best Visual Effects<\/u><\/b> Brian’s Top Five:<\/b> \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; \u00e2\u20ac\u0153TRON: Legacy\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Harry Potter and the Deathly Hallows, Part I\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Iron Man 2\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Inception”<\/p>\n Oscar’s Pick:<\/b> “Inception”<\/i>. I still don’t get why “Scott Pilgrim” and “TRON: Legacy” didn’t make the cut, but Best Picture nominee “Inception” has this one locked up for all those amazing sights.<\/p>\n Best Sound<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Shutter Island\u00e2\u20ac\u009d; \u00e2\u20ac\u0153TRON: Legacy\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Inception”<\/p>\n Oscar’s Pick:<\/b> “Inception”<\/i>. Yes, juggling between all those rapid-fire dialogue scenes was impressive in “The Social Network,” but look for Nolan’s thriller to take a lot of these below-the-board categories Sunday night.<\/p>\n Best Sound Editing<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; \u00e2\u20ac\u0153TRON: Legacy\u00e2\u20ac\u009d; \u00e2\u20ac\u0153How to Train Your Dragon\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Inception”<\/p>\n Oscar’s Pick:<\/b> “Inception”<\/i>. “TRON: Legacy” could sneak in for its stellar sound design, but I’d expect this to be another win for “Inception.”<\/p>\n Best Film Editing<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Shutter Island\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The Girl With the Dragon Tattoo\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Black Swan”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick:<\/b> \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i>. I still can’t believe “Inception” didn’t get nominated here. That said, while I can see “127 Hours” sneaking in for a win here, look for “The Social Network” to win for all those brilliantly cut dialogue scenes.<\/p>\n Best Cinematography<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Scott Pilgrim vs. the World\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d; \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Black Swan”<\/p>\n Oscar’s Pick:<\/b> “True Grit”<\/i>. This, like so many categories this year, is a genuinely great group. But while “Black Swan” and “Inception” were better, expect master cinematographer Roger Deakins to finally win an Oscar after eight previous nominations.<\/p>\n Best Art Direction<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Five:<\/b> \u00e2\u20ac\u0153Harry Potter and the Deathly Hallows, Part I\u00e2\u20ac\u009d; \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d; \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Vision: From the Life of Hildegard von Bingen\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “Harry Potter and the Deathly Hallows, Part I”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick:<\/b> \u00e2\u20ac\u0153The King’s Speech\u00e2\u20ac\u009d<\/i>. It’s tempting to go with “Potter” or the critically-lambasted “Wonderland” here, but Oscar loves period, and Best Picture front-runner “Speech” is pitch-perfect period.<\/p>\n Best Makeup<\/u><\/b> Brian\u00e2\u20ac\u2122s Top Three:<\/b> \u00e2\u20ac\u0153Let Me In\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d; \u00e2\u20ac\u0153Vision: From the Life of Hildegard von Bingen\u00e2\u20ac\u009d<\/p>\n Brian’s Pick:<\/b> “The Wolfman”<\/p>\n Oscar\u00e2\u20ac\u2122s Pick:<\/b> \u00e2\u20ac\u0153The Wolfman\u00e2\u20ac\u009d<\/i>. Rick Baker is a makeup master, and his work for the lambasted remake of the Universal classic was up to snuff for him. He wins almost by default.<\/p>\n
\nwww.sonic-cinema.com<\/a>
\nwww.myspace.com\/brianskutle<\/a>
\nwww.myspace.com\/cinemanouveau<\/a><\/p>\n
\n“The King’s Speech”<\/i>
\n“Inception”<\/i>
\n“Black Swan”<\/i>
\n“The Social Network”<\/i>
\n“Toy Story 3”<\/i>
\n“True Grit”<\/i>
\n“127 Hours”<\/i>
\n“Winter’s Bone”<\/i>
\n“The Kids Are All Right”<\/i><\/a>
\n“The Fighter”<\/i><\/p>\n
\nDarren Aronofsky, \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d<\/i><\/a>
\nTom Hooper, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\nDavid Fincher, \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i>
\nEthan Coen, Joel Coen, \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i>
\nDavid O. Russell, \u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i><\/p>\n
\nColin Firth, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i><\/a>
\nJavier Bardem, \u00e2\u20ac\u0153Biutiful\u00e2\u20ac\u009d<\/i>
\nJames Franco, \u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/i>
\nJesse Eisenberg, \u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i>
\nJeff Bridges, \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i><\/p>\n
\nNatalie Portman, \u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d<\/i>
\nJennifer Lawrence, \u00e2\u20ac\u0153Winter\u00e2\u20ac\u2122s Bone\u00e2\u20ac\u009d<\/i>
\nMichelle Williams, \u00e2\u20ac\u0153Blue Valentine\u00e2\u20ac\u009d<\/i><\/a>
\nAnnette Bening, \u00e2\u20ac\u0153The Kids Are All Right\u00e2\u20ac\u009d<\/i>
\nNicole Kidman, \u00e2\u20ac\u0153Rabbit Hole\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)<\/p>\n
\nChristian Bale, \u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i><\/a>
\nGeoffrey Rush, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\nMark Ruffalo, \u00e2\u20ac\u0153The Kids Are All Right\u00e2\u20ac\u009d<\/i>
\nJohn Hawkes, \u00e2\u20ac\u0153Winter\u00e2\u20ac\u2122s Bone\u00e2\u20ac\u009d<\/i>
\nJeremy Renner, \u00e2\u20ac\u0153The Town\u00e2\u20ac\u009d<\/i><\/a><\/p>\n
\nHailee Steinfeld, \u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i><\/a>
\nHelena Bonham Carter, \u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\nAmy Adams, \u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i>
\nJacki Weaver, \u00e2\u20ac\u0153Animal Kingdom\u00e2\u20ac\u009d<\/i>
\nMelissa Leo, \u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i> (Christopher Nolan)
\n\u00e2\u20ac\u0153Another Year\u00e2\u20ac\u009d<\/i><\/a> (Mike Leigh)
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i> (David Seidler)
\n\u00e2\u20ac\u0153The Kids Are All Right\u00e2\u20ac\u009d<\/i> (Lisa Cholodenko, Stuart Blumberg)
\n\u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i> (Scott Silver, Paul Tamasy, Eric Johnson)<\/p>\n
\n\u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i> (Aaron Sorkin)
\n\u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d<\/i><\/a> (Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich)
\n\u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i> (Joel Coen, Ethan Coen)
\n\u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/i> (Danny Boyle, Simon Beaufoy)
\n\u00e2\u20ac\u0153Winter\u00e2\u20ac\u2122s Bone\u00e2\u20ac\u009d<\/i> (Debra Granik, Anne Rosellini)<\/p>\n
\n\u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i> (Trent Reznor, Atticus Ross)
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i> (Hans Zimmer)
\n\u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/i> (A.R. Rahman)
\n\u00e2\u20ac\u0153How to Train Your Dragon\u00e2\u20ac\u009d<\/i><\/a> (John Powell)
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i> (Alexandre Desplat)<\/p>\n
\n\u00e2\u20ac\u0153Coming Home\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Country Strong\u00e2\u20ac\u009d<\/i><\/a> (Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges)
\n\u00e2\u20ac\u0153I See the Light\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Tangled\u00e2\u20ac\u009d<\/i><\/a> (Alan Menken, Glenn Slater)
\n\u00e2\u20ac\u0153We Belong Together\u00e2\u20ac\u009d from \u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d<\/i> (Randy Newman)
\n\u00e2\u20ac\u0153If I Rise\u00e2\u20ac\u009d from \u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/i> (A.R. Rahman, Rollo Armstrong, Dido)<\/p>\n
\n\u00e2\u20ac\u0153How to Train Your Dragon\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Illusionist\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Biutiful\u00e2\u20ac\u009d<\/i><\/a> (Mexico)
\n\u00e2\u20ac\u0153Dogtooth\u00e2\u20ac\u009d<\/i> (Greece)
\n\u00e2\u20ac\u0153In a Better World\u00e2\u20ac\u009d<\/i> (Denmark) (Haven’t Seen)
\n\u00e2\u20ac\u0153Incendies\u00e2\u20ac\u009d<\/i> (Canada) (Haven’t Seen)
\n\u00e2\u20ac\u0153Outside the Law\u00e2\u20ac\u009d<\/i> (Algeria) (Haven’t Seen)<\/p>\n
\n\u00e2\u20ac\u0153Exit Through the Gift Shop\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Restrepo\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inside Job\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153GasLand\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Waste Land\u00e2\u20ac\u009d<\/i> (Haven’t Seen)<\/p>\n
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Harry Potter and the Deathly Hallows: Part I\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Iron Man 2\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153Alice in Wonderland\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Hereafter\u00e2\u20ac\u009d<\/i><\/a><\/p>\n
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Salt\u00e2\u20ac\u009d<\/i><\/a><\/p>\n
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153TRON: Legacy\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153Toy Story 3\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Unstoppable\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)<\/p>\n
\n\u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153127 Hours\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Fighter\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153Black Swan\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The Social Network\u00e2\u20ac\u009d<\/i><\/a><\/p>\n
\n\u00e2\u20ac\u0153Harry Potter and the Deathly Hallows: Part 1\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153True Grit\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153The King\u00e2\u20ac\u2122s Speech\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Alice in Wonderland\u00e2\u20ac\u009d<\/i>
\n\u00e2\u20ac\u0153Inception\u00e2\u20ac\u009d<\/i><\/p>\n
\n\u00e2\u20ac\u0153The Wolfman\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153The Way Back\u00e2\u20ac\u009d<\/i><\/a>
\n\u00e2\u20ac\u0153Barney\u00e2\u20ac\u2122s Version\u00e2\u20ac\u009d<\/i> (Haven\u00e2\u20ac\u2122t Seen)<\/p>\n