This past March, I was accepted to be a member of the Atlanta Film Critics Circle, which was founded in 2017, and looks to “fill a void in the local film community and in the representation of Atlanta’s media on the national stage.” This marks my second local film critic group to be included in, after the Georgia Film Critics Association (which I’ve been a member of since 2018). In […]
I’m not going to write this from a perspective of trying to understand what a lot of women, LGBTQIA+ and minorities are thinking in the aftermath of the United States electing Donald Trump as President for the second time in eight years. This is only my perspective, my feelings, expressed in a medium that I express myself best at. Tuesday night, and Wednesday morning, was anxious for me. I was […]
Hello readers and listeners! It’s time, once again, to dive back into the movie year of 1999, and the film in question is from a venerable franchise, but a film that doesn’t necessarily hit all the right notes that franchise desires. The film in Michael Apted’s “The World is Not Enough”, and joining me is returning guest Kevin Thomas. Our discussions comes to some unusual conclusions. I hope you enjoy! […]
As we wrap up the horror month this year, Phil Fasso and I dig back into three absolute classics that turned 50 this year. The subject is horror of 1974, and the films are Brian De Palma’s “Phantom of the Paradise”, Larry Cohen’s “It’s Alive” before concluding with Tobe Hooper’s “The Texas Chainsaw Massacre”. I hope you enjoy! The track at the end of this episode is “Symphonic Guitar Dread” […]
This is the fourth year of “Repertory Revues,” and the 15th year since I started to watch older films over the month in an attempt to both broaden my cinematic horizons, as well as rewatching older favorites I wanted to write about, and it’s been increasingly difficult to keep up in the way I originally intended when I started in 2009. This year, I made a fairly big dent in […]
The title, “Repertory Revues,” just fits for this series. In a way, it feels like I’m operating my own, personal repertory series each year. One of the things you realize when you work at a theatre for as long as I have is how little autonomy one has when it comes to scheduling and booking. With new releases, you are beholden to the studio release schedule, and when it comes […]
Every October since 2002, I’ve spent the month delving into horror films. Some years have leaned more into familiar choices that I have come to love over the years, often by virtue of what else I had going on that month. In its earlier incarnations, however, I leaned into films I was not familiar with in the genre, from classic offerings to modern movies I’ve missed. Each year, I find […]
When I first scored “The Case” short films for my friend, Chris Dufresne, I had one keyboard synthesizer, and no recording software with which to truly sync picture and music. That meant figuring out the timings for each cue by figuring out where music should be, when it should change, and basically hoping it would work out. It did, and I’m still quite pleased with those musical efforts. “Player, PhD.” […]
Sonic Cinema Quick Thoughts
