It’s safe to say that movie theatres are back. My current one has been re-opened since May, and everything seemed prelude to this holiday season, where movies like “Ghostbusters: Afterlife” and “Spider-Man: No Way Home” seemed to signal the return to normal for theatres. Is moviewatching back to normal, though? We received four MCU films this year, and all of them made decent money. As did the new “Fast and […]
Of all of the filmmakers I’ve gotten to know over the years, Matthew Saliba is probably my one of my 2-3 favorite to talk to over the years. Part of that is because he’s helped me dive head-first into kaiju cinema, but it’s always been interesting to see how he dives into filmmakers and film genres a lot of my other friends and filmmaker friends don’t really watch on a […]
In July 1994, my moviewatching trajectory was changed forever when I finally watched Alex Proyas’s “The Crow”. The film had already become a cult hit, and had been on my radar, but it wasn’t until I saw it for myself that I just came out of the theatre different. As it turns 30, it is time to finally have a discussion of the film, and its legacy, on the Sonic […]
Hello readers and listeners! With the 25th anniversary of the 1999 movie year, it seemed like a good time to revisit this series, and add some new voices to the conversation. We begin by welcoming back to the podcast film critic and podcaster Morgan Roberts, host of Female Gaze: The Film Club, whom is joining me to discuss the teen rom com, “10 Things I Hate About You”. I hope […]
Happy New Year! Hope everyone’s having a good 2006 so far. Just wanted to let you know about a couple of music related things, including two new releases online. The two new pieces online are “Danger of the Frontier” (available at www.sonic-cinema.com) and “A New Old West” (available on www.myspace.com/brianskutle). They are the final two pieces of my series of Western-inspired pieces I’ve been working on since starting to compose […]
As a composer, 2005 was a year of opportunity. Specifically, opportunities which presented themselves and I grabbed at. Even more specifically, opportunities that gave me a chance to do what I’ve wanted to do since 1995- compose film scores. You won’t hear my work on the big screen anytime soon, but I’ve been given chances this year to work towards that possibility; some worked out, some didn’t. First up in […]
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